User manual SONY STR-DB940
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Manual abstract: user guide SONY STR-DB940
Detailed instructions for use are in the User's Guide.
[. . . ] To prevent fire or shock hazard, do not expose the unit to rain or moisture. for customers in the United States Note to CATV system installer: This reminder is provided to call CATV system installer's attention to Article 82040 of the NEC that provides guidelines for proper grounding and, in particular, specifies that the cable ground shall be connected to the grounding system of the building, as close to the point of cable entry as practical. You are cautioned that any changes or modification not expressly approved in this manual could void your authority to operate this equipment. Should any solid object or liquid fall into the cabinet, unplug the receiver and have it checked by qualified personnel before operating it any further. [. . . ] MULTI DIMENSION (page 34) to create 5 sets of virtual speakers surrounding the listener from a single pair of actual rear speakers. Reproduces the sound characteristics of the Sony Pictures Entertainment "Kim Novak Theater" cinema production studio using the 3D sound imaging of V. MULTI DIMENSION (page 34) to create 5 sets of virtual speakers surrounding the listener from a single pair of actual rear speakers. Reproduces the sound characteristics of the Sony Pictures Entertainment scoring stage using the 3D sound imaging of V. MULTI DIMENSION (page 34) to create 5 sets of virtual speakers surrounding the listener from a single pair of actual rear speakers. Reproduces the sound characteristics of the Sony Pictures Entertainment "Cary Grant Theater" cinema production studio using the 3D sound imaging of V. DIMENSION (page 34) to create 5 sets of virtual speakers surrounding the listener from the sound of the front speakers (without using actual rear speakers). Reproduces the sound characteristics of the Sony Pictures Entertainment "Kim Novak Theater" cinema production studio using the 3D sound imaging of V. DIMENSION (page 34) to create 5 sets of virtual speakers surrounding the listener from the sound of the front speakers (without using actual rear speakers). Reproduces the sound characteristics of the Sony Pictures Entertainment scoring stage using the 3D sound imaging of V. DIMENSION (page 34) to create 5 sets of virtual speakers surrounding the listener from the sound of the front speakers (without using actual rear speakers). Allows you to retain a theater like environment while listening at low volume levels, such as late at night. Creates a theater like environment from movies with monaural soundtracks. Creates a theater like environment from movies recorded with stereo soundtracks Allows you to experience a theater like environment while listening through a pair of headphones. This mode is ideal for watching sciencefiction or action movies with lots of sound effects. This mode is ideal for watching musicals or classic films where music is featured in the soundtrack. A~C" reproduces the sound characteristics of each cinema production studio without virtual speakers. 2) You can select directly by pressing the buttons on the front panel. Uses 3D sound imaging to create an array of virtual rear speakers positioned higher than the listener from a single pair of actual rear speakers. Uses 3D sound imaging to create 3 sets of virtual rear speakers from 1 set of actual rear speakers. Uses 3D sound imaging to create virtual rear speakers from the sound of the front speakers without using actual rear speakers. Uses 3D sound imaging to create 3 sets of virtual rear speakers from the sound of the front speakers without using actual rear speakers. [. . . ] In this format, the rear speakers output stereo sound with an expanded frequency range and a sub woofer channel for deep bass is independently provided. 1 channel (since it functions only when a deep bass effect is needed). All six channels in this format are recorded separately to realize superior channel separation. Furthermore, since all the signals are processed digitally, less signal degradation occurs. [. . . ]
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